In 1987 the Council of Europe declared the Camino the first European Cultural Route and in 1993 the Camino de Santiago (el Camino Francés) was placed on the World Heritage List because it demonstrated "having outstanding universal value".
In 1998, France had all its four original medieval pilgrimage routes also placed on the World Heritage List under the title of: "Routes of Santiago de Compostela in France".
The 21st century pilgrim walking these routes will also experience and discover that along the Camino Francés in Spain, are four other World Heritage Listed sites:
However, just 20 km. west of the Camino route at Ponferrada (location of the fabulously impressive Knights Templar castle) is another World Heritage Listed site:
The art and architecture from the 10th century onwards along the 800 kilometres Camino Francés from Roncesvalles in the Pyrenees to the main entrance of the Cathedral in the Praza de Obradoiro in Santiago de Compostela is so culturally rich and resplendent that no one is left unmoved by past human endeavour and creativity.
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These long distance routes are generically known as the: CAMINO DE SANTIAGO
In 2008, Camino Downunder for the first time, will offer Australian and New Zealand universities and their French & Spanish language departments a unique and exciting consultancy and study program combing French and/or Spanish language practice (immersion); literature; architecture; intercultural experiences; pilgrimage and medieval history with heavy duty walking to achieve unique personal, intellectual, moral and spiritual goals lasting a lifetime.
"...the pilgrim at once the complete insider, the total outsider. This is why the pilgrimage is not a tour, not a vacation, not at all a trip from point A to point B, but a journey that is both an experience and a metaphor rather than an event. This is why the pilgrimage must be done on foot, never on bicycle; why you must stay in refugios, not in hotels; and why the journey should be long and hard. And this is why you then experience a place and culture in a way vastly different than as a traditional visitor or even as a local."
Conrad Rudolph, Pilgrimage to the end of the world.

